Francesco Milanese

Born in Conegliano in 1980, he began his professional training at the Conservatorio Statale J. Tomadini in Udine and continued it at the Conservatorio A. Steffani in Castelfranco Veneto, participating in productions of Orfeo by Monteverdi, Betly by Donizetti and La traviata by Verdi.

She then studied singing under the guidance of Elisabetta Tandura and scenic art with Lamberto Puggelli and perfected her skills with Roberto Scandiuzzi and at the Accedemia di Modena with Mirella Freni.

Her professional activity began with the Pocket Opera production of Nabucco staged by the Teatro Sociale di Como AsLiCo. He participated in Rossini's Il Barbiere di Siviglia staged at the Teatro Petruzzelli in Bari for young audiences.

His recent and future engagements include Macbeth in Bari, Madama Butterfly (Commissario Imperiale) at the Teatro Verdi in Padua, La Traviata at the Fenice in Venice, Un ballo in maschera in the Circuito Lirico Lombardo, Le nozze di Figaro in Parma, La Traviata, Acquagranda and La Bohème at the Fenice, Tosca at the Rome Opera, and again Traviata and Butterfly at the Fenice, Ferrando in Trovatore at the Theatres of Reggio Emilia, Modena and Pisa, Colline in La bohème, Richard II, Traviata at La Fenice, the King in Aida in the Circuito Lirico Lombardo, Otello, Il ritorno di Ulisse in patria, Roméo et Juliette and Le nozze di Figaro at the Maggio Musicale Fiorentino, Falstaff, Satyricon and Ernani at La Fenice in Venice.